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Looking for a few full time positions to fill for a client.
5-7 years experience
3 year contract
Location will be at the Navy Yard
Positions:
- Videographer/editor
- Photojournalist
- Multimedia designer
- Digital Signage Manager
- Exhibit coordinator

Let me know if anyone is interested or has a name of someone who may be.

Thanks.

TOM GAMERTSFELDER CREATIVE INSTIGATOR
QNEXIS, INC. 11800 SUNRISE VALLEY DRIVE SUITE 400 RESTON, VA 20191
w 703.464.5100 X 108 | c 703.407.5151 | www.qnexis.com

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OPEN SHOW DC #2
Our America

SHOW: Thursday, April 18, 2013 TIME: 6-9pm
VENUE: Busboys and Poets (5th and K), 1025 5th St. NW, Washington, DC 20001

See award winning photographers and filmmakers present their work on relevant social issues in the United States and hear their insights from the experience of covering these topics.

Topics will include DC public schools, small town development, the federal prison system and reintegration, social stratification and division in the south, and recognition of military benefits for LGBT partners.

 Presenters & Projects

Schedule

6-7pm Social mixer with relevant photo books curated by the Indie Photobook Library
7-9pm Photographer and Videographer presentations

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If you’re interested in attending  Momenta’s Project New Orleans: Working with Nonprofits, two spots have opened up on the workshop! Read below for more details.

If you are a member of a professional organization like WPOW, WHNPA, NPPA, ASMP, ASPP, PPA, etc., you quality for 10% off the tuition. Students and military also get a 10% discount. Email the Momenta staff at info(at)momentaworkshops.com for more information.

Project New Orleans in collaboration with
Leica Camera Logo

Location: New Orleans, Louisiana
Dates: April 10 – 14, 2013
Cost: $1650
Please contact our office for itinerary and travel information.

  • Momenta provides each student with a detailed questionnaire, we use this to match each student’s interest with a nonprofit in NOLA
  • Each student will get their own nonprofit to work with, based on feedback from our pre-workshop student questionnaire
  • Momenta will handle all pre-workshop logistics for nonprofit assignments including introductions to each nonprofit occuring about 1-2 weeks before the workshop
  • Student work benefits small, local nonprofits in their need to publicize and project their activities to new audiences
  • Momenta presents an intensive instruction on Photo Mechanic and photo asset archiving
  • Students receive daily personal reviews with lead instructor and Momenta staff
  • Nightly slideshows, lectures and group critiques
  • Daily mentoring and story development editing one-on-one with an instructor for at least one hour a day
  • Voluntary multimedia instruction for interested attendees
  • Lectures on narrative storytelling, elements of a photo story and history of documentary photography
  • Final slide show and party hosted by Momenta for all students, nonprofit staff, general public and members of the photographic community

Click through last year’s student work!

If you’ve never been to New Orleans, you are in for a wonderful adventure when you join Momenta in 2013. This is our most popular domestic workshop and it fills up every year.

During your trip with us, you will not only learn to work directly with a nonprofit on a relevant photo story but you will also receive lectures on business models for making nonprofit photography work for you, including how to market your portfolio for nonprofit clients as well as financing a personal project through grant writing and public fund raising.

New Orleans has been our host for the last five years for this amazing workshop and the welcome from the nonprofits every year is overwhelmingly positive. The city is alive with nonprofit and community groups dedicated to rebuilding the Big Easy back to its former glory and helping the areas of the city that are still suffering, years later, from the after effects of Katrina.

Momenta will offer to connect photographers with nonprofit organizations we have worked with in the past. However, we encourage more advanced photographers to find their own photo story or charity of their choice. Don’t worry! Our team of instructors and staff will guide you every step of the way if you choose to venture down this road.

Every day of the workshop, Momenta staff and instructors with work with you to develop a photo story that is close to your personal vision and embodies the workshop theme of “hope and recovery.” We do this through daily editing one-on-one with you and an instructor for about one hour each evening.

A great addition to our curriculum in 2013 is the collaboration of Momenta and Leica during of our series of Project workshops. All photographers on this trip will have the opportunity to borrow and use the digital Leica M9s and lenses to use in your photo stories. We will have a special lecture during orientation about the use of Leicas and their great history with documentary photography.

Students are also encouraged to record audio for multimedia presentations and their portfolio. Momenta will have audio gear on hand to borrow. Multimedia instruction and editing will also be available for interested attendees.

On the final night of the workshop, Momenta hosts a student slide show presentation for all the organizations who participated in the workshop as well as neighborhood residents, local photographers and journalists, the members of the Photo Alliance and the workshop attendees. The slideshow is truly a moving and emotional experience for everyone involved. It creates a wonderful atmosphere of camaraderie and celebration to end our time together!

We hope you can join us for this very special workshop experience in New Orleans, Louisiana, one of America’s most vibrant and exciting cities!

Workshop fees include: one-on-one editing with instructors on a daily basis, personal portfolio reviews, a student handbook, all handouts and workshop materials, daily slideshows and lectures, software and equipment training, an opening night dinner and our final celebration and slideshow party provided by Momenta for the public at our headquarters in the Garden District.

Workshop fees do not include: meals, transportation, hotel accommodations. Momenta does offer suggestions for housing and transportation deals in New Orleans.

Please contact our staff for a trip itinerary and travel arrangement questions.

About your Instructors

From Pennsylvania Avenue to Bourbon Street, Chris Usher and Jamie Rose have worked together photographing politics and major news events in our Nation’s Capital for nearly a decade. They met on assignment covering the President many years ago and have been colleagues and friends ever since. Chris and Jamie have taught this workshop together five times now and are so elated to continue this great workshop series in 2012.

For the last seven years, Chris Usher has been dedicated to the continuing coverage of the human diaspora created by Hurricane Katrina. Chris’ work was initially featured in TIME magazine and later published into a book, One of Us. When not covering the White House and Congress, he works and visits in his “second home” of New Orleans as much as possible.

Jamie Rose is our Director of Workshops and has been a documentarian for the last decade. She covered the effects of Hurricane Katrina for nonprofit organizations, which lead her to create this workshop in New Orleans with Chris. Jamie believes strongly in the power documentary photography to give back to all the providers working so hard to help in the recovery and rebuilding of the Crescent City.

Learn more about your instructors by visiting Our Instructors page.

For More Information

Please email our staff for further information at info@momentaworkshops.com. You may also reach Director of Workshops Jamie Rose between the hours of 9:30 a.m – 5 p.m. EST, Monday through Friday at our offices at 202.688.1448.

Please contact us for more information about this workshop today!

 

 

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ASMP 8×10 on January 15th

Join ASMP on Tuesday, January 15, 2013 in the Wechsler Theater on the American University campus and help cheer on eight of our fellow ASMPDC members as they take ten minutes each to present their work. This year we’ve asked that they highlight some of their personal work and talk about how it relates to and informs their commercial, editorial and other assignments. Don’t miss this lively evening from a diverse group of our fellow photographers as they show us their approach to the craft and business of making great images.

Uliana Bazar
Uliana Bazar is a Ukrainian documentary photographer and multimedia producer based in Washington, D.C. She is currently working toward a master’s degree in New Media Photojournalism at the Corcoran College of Art and Design in Washington with the documentation of post-Soviet immigrants in New York as her final project thesis.

John Boal
John Boal has been a photographer in Washington DC for the past 7 years and honed his skills as a portrait and documentary storyteller while a staff photographer at The News & Messenger from 2008 until he left to freelance in March, 2012.

Brad Howell
Brad Howell has been working in the photography business for 8 years. Brad draws from his background in theater and film to construct expressive and narrative qualities in his editorial portraiture. Recently moving back from New Mexico, Brad is re-establishing himself in the DC market.

Alex Jamison
Alex Jamison views and pursues photography as a graphic medium in the context of the fine arts. He served as apprentice to Frederick Sommer before moving to Washington in 1979. He has photographed art and architecture for institutional, corporate, and private clients. A master printer, he has made silver-gelatin and ink jet prints for special exhibitions at the National Portrait Gallery and the National Museum of American History.

Leena Jayaswa
Leena Jayaswal is an award wining fine art/documentary photographer and filmmaker. Her work often refers to identity issues. Leena is the Director of the Photography Concentration at American University where she has taught for the past 17 years.

Andrew Propp
Originally hailing from Washington D.C, Andrew Propp began experimenting with photography at the early age of seven. After earning a history degree from Whitman College and taking part in a documentary studies program in Portland, Maine, he returned to the DC area in late 2011. Andrew recently joined Washingtonian Magazine as a staff photographer.

Liz Roll
Liz Roll is a freelance photographer who has lived in the DC area for 26 years. After four years as a photographer at the American Red Cross, she became a freelancer, while also moonlighting for FEMA (Federal Emergency Management Agency). Over the years, she has photographed scores of natural disasters, from spring floods to earthquakes to Hurricanes Ike, Rita, Katrina, and most recently, Hurricane Sandy.

Jonathan Timmes
Jonathan Timmes is an editorial and commercial photographer based in the historic district of Georgetown in Washington, DC. He specializes in character-driven portraiture that is both modern and dramatic.

Register Now

When
Tuesday, January 15, 2013
7:00 PM – 9:00 PM
Social time starts at 6:30 PM

Where
Wechsler Theater
Mary Graydon Building, 3rd floor
American University
4400 Massachusetts Ave., NW
Washington, DC
campus map
Costs

$10.00—ASMP member
$20.00—non-member
$10.00—Professional Association member
$5.00—Student, AU Students Free with ID

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Selling: 15″ Location/StudioTeleprompter
Original Price: $1180
Asking Price: $900 or best offer. Shipping outside of the area is possible. Delivery to the MD/VA/DC area is possible as well.
Payment: Cash or Paypal only. No money orders or personal checks.
Contact: info[at]momentacreative.com or 202 688 1448.

Reason for selling:
We purchased a new Ikan PT3000, used it 2 times for a client project and now we have no further use for it. We have all original parts in perfect condition. There are the usual few wear marks on the mounts from the tripod/camera but no cracks or dents. It has literally been used twice for a contract client since purchased so it looks exactly like it did when it was shipped to us (see stock images below). It even still has the protective gel cover on the teleprompter surface.

Perfect for DSLRs and those in need of a portable solution.

Also included it with the teleprompter:
- an Audio Technica audio connector extension cable
- a Comprehensive VGA 15 pin extension cable
- a compact Ikan carrying case

Manufacturer’s Specs:
http://www.ikancorp.com/productdetail.php?id=7

The PT3000 is large enough for studio usage, while still retaining enough portability that it could be used for a fixed location shoot. With a 15 VGA AC-powered monitor, the PT3000 offers a large viewing surface along with many of the same features that have made the PT2100 popular.

WHAT’S INCLUDED:

15″ LCD Monitor
PrompterPro 2.0
Teleprompter Hood
Teleprompter Kit

SPECIFICATIONS:

Diagonal (inch): 15″ TFT – LCD

Resolution: 1024 x 768
LCD Brightness: 350cd/m2

Contrast Ratio: 500:1
Viewing angles: 80/80(R/L) 80/60(U/L)

Operating Volts: DC 12V/4A
Dimension: 25″ x 14 ½ x 14

Weight (lbs): 19.5 (assembled unit)
Power Consumption: <10W

Operating Temp.: 0-65C
Shipping Weight: 23

Screen Size: 15″
Camera: Small to Mid-Size

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INSIDE OUTSIDE
By photographer  Gabriela Bulisova

At 2208 Martin Luther King Jr Ave SE, Washington DC 20020

“INSIDE OUTSIDE – a multimedia exhibition at the Gallery at Vivid Solutions – featuring project with returning (formerly incarcerated) citizens.

Please join me, and the men and women I worked with on this project, for an opening reception.

For details, please visit: www.vividsolutionsdc.com

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In a bold move, a Jamie’s Lister requested to be put on the Holiday Giving list and I think this kind of chutzpah should be rewarded! It also helps that the project involves two of my favorite folks: Amanda Lucidon and Ed Kashi. Here are the details on Amanda’s project and remember: $5, $10, $20…it all helps make people’s dream come true.

THE LEGAL STRANGER: DOCUMENTING SAME SEX COUPLES & THE DEFENSE OF MARRIAGE ACT

I’ve been working on a project for the past two years about the impacts of the Defense of Marriage Act on same-sex couples, which denies legally married same-sex couples 1,138 federal rights. Through photos, video, audio and journals, the project follows five personal stories as same-sex couples try to navigate the convoluted legal system for parental rights, survivor benefits, immigration status, health care and estate benefits. The work can be seen on the website: http://legalstranger.com
I also partnered with Talking Eyes Media, a non-profit media company started by Ed Kashi and Julie Winokur which uses multimedia storytelling to advocate for social change. Through this partnership, I’m able to offer tax-deductible donations through our fundraising campaign: http://igg.me/p/51647?a=320240
I know times are tight so if people can’t afford to donate, they can still help by sharing the campaign link with others. They can also share/follow the stories:
On our website: http://legalstranger.com
Twitter: http://twitter.com/Legal_Stranger

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Hey gang! Let’s show some photo love for a fellow Jamie’s Lister, Christian Fuchs. He has just become a photo blogger for HuffPost/AOL folks  and I’d like to ask you to share this link and “like” it, etc. He’s doing great stuff at his job in the international nonprofit world so let’s help support documentarians in that industry! Thanks so much! -Jamie
Chad:
http://www.huffingtonpost.com/christian-fuchs/child-soldiers-chad_b_1016113.html#s415166&title=Greetings

Haiti:
http://www.huffingtonpost.com/christian-fuchs/haiti-scholarship-aid-photos_b_1016221.html

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Online News Producer, edweek.org

Education Week is seeking a creative, versatile online news producer who can bring fresh ideas, video-editing skills, and cutting-edge online design and development capabilities to a talented news operation that provides first-rate content for education policymakers, frontline educators, and wider audiences.

Published by the independent, nonprofit organization Editorial Projects in Education, Education Week spans multiple platforms, including a weekly print edition, a well-established online presence at edweek.org with more than 1 million registrants, specialized e-newsletters, special reports, a growing roster of staff- and guest-written blogs, webinars, online chats, video, and live events for education leaders.

The producer’s role will include: combining news articles, art, social media, and multimedia into vibrant content packages; assisting the online creative director with site design and development in a variety of platforms and content management systems; developing an ability to troubleshoot within those systems; editing video and audio and working with live-streaming operations; and participating in and leading various projects, such as work with databases, video and audio production, photo galleries, interactive design, user-generated content, and community building. An eye for quality, technical integrity, and journalistic standards are essential.

Online news presentation techniques and technology are constantly changing, and our producers are expected to bring new ideas, enthusiasm, and an entrepreneurial spirit to the job. You will have a voice and ownership of projects in a collaborative team environment.

Qualifications:
• Experience with digital news production, website design, content management systems, and blog platforms
• Experience editing video and working with interactives and multimedia
• Expertise with Adobe Creative Suite, Final Cut Pro, Javascript (jquery), HTML and CSS
• Working knowledge of AfterEffects and PHP is a plus
• Knowledge of journalistic standards and the ability to work quickly and independently while being meticulous about quality and technical integrity
• Interest in education policy is a plus

Salary is commensurate with experience and comes with excellent benefits. The office is located in Bethesda, Md., a suburb of Washington, D.C.

To apply: Send cover letter, résumé, and samples of your work to websearch@epe.org. Editorial Projects in Education is an Equal Opportunity Employer.

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